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He was the first to compose
and conduct music cues in sync to pictures and sound FX along
a time line. Now that may sound double Dutch to you, but when
John Williams conducts the music to his latest Blockbuster Movie
Soundtrack........ couldn't he find it in his heart to let me
have a go at just one Spielberg's flicks or the next Star Wars
flop?
Oops sorry, where was I.......
He wrote the music for the first motion picture with a soundtrack:
"Steamboat Willy". Not only that, was the original voice
of Mickey Mouse. In fact he financed Disney's move to Hollywood
from their native Kansas.
That's where they both started,
a very long time ago.
Stalling was born in the last year of the 19th century and was
a child protégé, playing piano and organ in silent
movie houses all across Kansas and the outer states.
Disney's past is well documented and this is about Stalling.
So let's take it from after
leaving Disney in the early 30's, he helped establish the ground
breaking animation company named after its founder: "Ub Iwerks".
Amazingly Ub was another Kansas refugee (there must have been
something in the water in Kansas in them days), who's empire is
now the current market leader in Hollywood special FX; along with
Industrial Light + Magic.
But Stalling's main unsung
contribution to the planet earth was the hundreds and hundreds
of hours of the most enjoyed music ever listened to. In a nutshell,
from 1936 to 1958 he composed the music for every single Warner
Brothers cartoon short.
That means just about every Bugs
Bunny, Road Runner, Daffy Duck, Speedy Gonzalez and Tweetie Pie
cartoon you've ever seen had music composed by him.
During Stalling's time at Warner's he wrote nearly two thousand
mini symphonies, lasting on average 6 minutes. The musical themes
embodied within the cartoon characters that developed over decades
stand alongside the work of any of the recognised masters.
He liberally borrowed, rearranged and pastiched other composers
from classical greats to fellow Warner's staff composers. When
he played the likes of Strauss or Wagner, it is enjoyed by all.
During his twenty two years
at Warner's, Stalling sat in an office for 4 days a week writing
scores and working with Orchestrater Milt Franklyn, Sound FX pioneer
Treg Brown and the vocal wizard Mel Blanc.
Once a week he had a short session with the Warner Brothers Orchestra,
who just happened to be the Los Angeles Philharmonic doing a bit
of moonlighting.

He may not have the academic
profile of Shostakovich, Stravinsky and Prokofiev, or the P.R.
of Stockhausen, Cage and Nyman, but he has, without any doubt,
made more people happy.
Throughout his working life the main form of mass entertainment
was the cinema. The Warner Brothers cartoons were the longest
running and most popular series of films ever made. The films,
with Stalling's soundtrack were distributed across the world and
dubbed into all languages spoken.
Not long after his retirement
in 1958, his music was heard by every child, parent and grandparent
again, when all cartoons were endlessly rerun on television. To
this day they are broadcast continually in every country on the
planet.
Stalling's music has made everybody who's ever been near a TV
set happy for most of their lives. The hardest thing to compose
is a piece of music that will make people laugh. The fact that
so many people have listened with joy to his music for so much
of their lives is an unmatchable achievement.
There's an American arranger/conductor: George Daughty, who conducts
a programme called "Bugs Bunny On Broadway"; which features Stalling's
music played by a full Orchestra whilst the cartoons are projected
on a large cinema screen, if you ever get the chance go and see
it.
Carl Stalling was a quiet, modest
man whose mastery of orchestral music is quite simply untouchable
in the 20th century. Next time a Merrie Melodies or Looney Tunes
cartoon comes on the box, close your eyes and listen to the finest
musicians playing incredibly difficult music, with pinpoint accuracy
to hilarious effect.
It's an absolute scandal that
his name isn't mentioned in any music reference book. Maybe toffee-nosed
academics have never watched cartoons on telly. But make no mistake,
Carl Stalling is sitting in heaven now with the likes of JS Bach,
Beethoven and Mozart on the top table of music makers.
th th th th th That's All Folks!
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